In honor of all the hardworking agents in this business, I’m holding a contest today for the most outrageous story about a writer’s experience with an agent. The winner gets a copy of my novel (or if you already have my novel, I’ll host you on my blog—whoopee!) Being a good host, I’ll go first.
In August 2003, I attended a writers’ conference and pitched two novels to an agent I’ll call “Susie Strange." (You can name your agent, if you’d like. I have good reason not to.) She loved both pitches and asked to see full manuscripts for both novels, which I happened to have with me. So off she went to New York with about 170,000 words of mine. I waited the customary two months, then sent an e-mail. No response. I eventually sent another e-mail and made a phone call with absolutely no acknowledgment that I even existed. But this is not the bizarre part.
I went on with my life and wrote yet another novel called The Sex Club. As I neared the end of process, I started sending out query letters (with 3 chapters) to agents—knowing how long it takes them to respond. I sent one (on a whim) to Susie Strange. You know the opening: “We met once at a conference …” The date on that Word document is October 21, 2004.
A year later, I signed with a different agent, spent another year working with her on the story, then she failed to sell it. Then I spent another year or so bringing it to print through a niche publisher, followed by months of promoting it.
Then on February 7, 2008, I received a call from someone in Susie Strange’s agency. I didn’t recognize the caller’s name, but I knew the agency. The caller said she had read the first three chapters of The Sex Club and wanted to see the entire manuscript. I was confused at first. “What do you mean you want to see the manuscript? It’s a published book.” Then it hit me. She was responding to the query I had sent THREE YEARS AND THREE MONTHS ago!
The poor woman was new to the agency and had inherited an old slush pile, but she handled the situation gracefully. She asked if I was working on anything else and agreed to read the first 50 pages of Secrets to Die For. She got back to me within three weeks and said she loved it. Now she’s waiting for me to send the entire manuscript. As much as I want to be represented (as all writers do!), the idea of working with her makes a little nervous. After all, she is a protégée of Susie Strange.
First, I mean no disrespect to other agents. In fact, I have a very positive agent story to tell someday.
Second, the poll: Should I send her the manuscript? Should I send it to other agents as well?
Third, the contest: Can you top that outrageous agent story?
Into the Thinnest of Air by Simon R. Green
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